Nine Perfect Strangers Soundtrack: A Vague Visages guide for every featured song in the 2021 Hulu series created by John-Henry Butterworth and David E. Kelley.
Nine Perfect Strangers Cast: A Vague Visages guide for every main performer and character in the Hulu series.
Reminiscence Cast: A Vague Visages guide for every main performer and character in Lisa Joy’s 2021 science fiction movie.
‘Brand New Cherry Flavor’ Soundtrack: A Vague Visages guide for every song in Netflix’s 2021 limited series.
‘Brand New Cherry Flavor’ on Netflix: Check out Vague Visages’ update on the release date, cast and trailer.
Brand New Cherry Favor: Enjoy this cast and character guide for the 2021 Netflix series, an adaptation of Todd Grimson’s 1996 novel.
Know the Cast: A Vague Visages Guide for Peter Winther’s 2021 Film ‘Aftermath’
“‘Original Sin’ is an unabashedly horny movie, and Cristofer isn’t shy about showing off either of his gorgeous stars.”
VVoices #7: Vague Visages Contributors on the Best M. Night Shyamalan Film
“While ‘Old’ never quite fully connects emotionally, the themes inherent in the story help lend the movie the depth it doesn’t get from the performances”
Know the Cast: A Vague Visages Guide for M. Night Shyamalan’s ‘Old’
Know the Cast: A Vague Visages Guide for M. Night Shyamalan’s ‘The Village’
Soundtracks of Cinema: A Vague Visages Guide for ‘Fear Street Part Three: 1666’
Soundtracks of Cinema: A Vague Visages Guide for ‘Fear Street Part One: 1994’
“For all its islands of promise, ‘Threshold’ is really just a passable family addiction drama with horror elements that are never fully realized.”
“‘The Conjuring: The Devil Made Me Do It’ fails to meet its potential as a thoughtful thriller that explores possession on both the supernatural and human front…”
Dipankar Sarkar Interviews ‘Irul’ Filmmaker Naseef Yusuf Izuddin
“‘The elements of ‘The Dry’ may be conventional, but the presentation, as well as Connolly’s attunement to very real concerns, still burns.”
“Everything about ‘Seance’ is loudly, proudly feminine and female focused… if one didn’t know this was Barrett’s work, it could easily be mistaken for that of a female filmmaker, which is no small feat.”
“Sure, ‘Saint Maud’ can be called a horror film, but it is equally a psychological drama that gets a lot of mileage from a tried and true trope: the shifting power dynamics in a superior/subordinate relationship.”