Review: Ian Tuason’s ‘Undertone’
“‘Undertone’ is inspired, unnerving and truly a future classic.”
Review: Alice Maio Mackay’s ‘The Serpent’s Skin’
“Mackay has once again managed to do an awful lot with zero money and a ton of determination, which makes ‘The Serpent’s Skin’ much easier to admire than pick apart.”
Review: Corin Hardy’s ‘Whistle’
“‘Whistle’ bodes well for the future of studio horror.”
Review: Johannes Roberts’ ‘Primate’
“‘Primate’ is a bit like that memorably gruesome sequence in ‘Nope’ (2022) stretched out to feature length, but it’s smarter, meaner and more inventive.”
Review: The Adams Family’s ‘Mother of Flies’
“‘Mother of Flies’ works as both an art piece and a successful horror movie overflowing with ooey gooey and creepy-crawly ickiness.”