“‘Barrio Triste’ feels in line with the energetic and floating camerawork of Stillz’s music videos he has made for several artists, but it also stands as its own sort of gritty, meandering experiment that aims to excavate spaces within a particular setting.”
“Even the most cynical satire is half in love with the object of its barbs; there is a part of every constrained creative that loves their shackles and will make great play of rattling them.”
“‘Wake Up Dead Man’ transforms into something more impactful by sincerely and non-judgmentally attempting to grapple with faith from an atheist’s perspective.”
“‘Plainclothes’ isn’t necessarily a kinky film — it just does better than most tales of life in the closet to explain why this can be more alluring than coming out and finding somewhere to make these connections in the open.”
“‘Waltzing with Brando’ suffers from a sluggish rhythm and lack of narrative drive because it focuses on the wrong character and the wrong aspect of the subject’s life.”
“‘Don’t Tell Mother’ is an assured debut, less concerned with plot points than with the tremors of lived moments rippling through its gently stirring narrative.”
“‘Somnium’ is rather predictable, as first-time feature filmmakers like Cain tend to prioritize visual design over the nuts and bolts of their script.”