“With ‘Electric Lady Studios,’ McDermott artfully explores intriguing stories about hard-working music professionals who experienced first-hand what it was like to make a dream come true.”
“Miller’s documentary will likely bore viewers who are unfamiliar with Medeski Martin & Wood, but ‘Not Not Jazz’ is still a worthy tribute to what makes the band members such singular musicians.”
“The refreshing clarity of Peck’s style in ‘Ernest Cole: Lost and Found’ often feels like a drawback in the way that it disrupts the emotional weight of voice and visual form.”
“Sorry/Not Sorry’ is fascinating with its exploration of ethics, but Mones and Suh’s documentary essentially plays out like a CliffsNotes version of The New York Times’ 2017 report about Louis C.K.’s sexual misconduct.”
‘Through the Writer’s Mirror’ Interview: George Kowalik and Anne-Laure Tissut discuss the 2022 Percival Everett documentary with director Alexandre Westphal.
“Being multiple things at once is what makes Everett’s novels, but also his other art, so intriguing. ‘Through the Writer’s Mirror’ is its own process of plate spinning. It is its own juggling act.”
“Gish speaks confidently and passionately about acting in Sanders’ American Masters documentary, but perhaps the most intriguing moments emerge when she discusses her love for film preservation…”
“My TCM Fest weekend, packed full of classic movies, was not only a fun experience in April 2024, but it made me feel hopeful that film preservation is alive and well, and that these beloved — if occasionally dusty — pictures aren’t going anywhere.”
“Part of the film’s effectiveness lies in the iceberg-style storytelling, which respects the audience’s intelligence by showing and addressing crime scene evidence without detailing the grisly specifics.”
“A unique sense of intimacy arguably makes ‘Lady Like’ the strongest of all the ‘RuPaul’s Drag Race’ documentaries produced so far, but that doesn’t mean it is flawless in the wider medium.”