Soundtracks of Cinema: ‘Gremlins’
‘Gremlins’ Soundtrack: A Vague Visages guide for every song in Joe Dante’s 1984 movie.
‘Gremlins’ Soundtrack: A Vague Visages guide for every song in Joe Dante’s 1984 movie.
‘Stand by Me’ Cast: A Vague Visages guide for every actor and character in Rob Reiner’s 1986 movie.
‘A Christmas Story’ Cast: A Vague Visages guide for every actor and character in Bob Clark’s 1983 movie.
‘Die Hard’ Cast: A Vague Visages guide for every actor and character in John McTiernan’s 1988 movie.
‘Gremlins’ Cast: A Vague Visages guide for every actor and character in Joe Dante’s 1984 movie.
‘First Blood’ Soundtrack: A Vague Visages guide for every song in Ted Kotcheff’s 1982 movie.
‘First Blood’ Cast: A Vague Visages guide for every actor and character in Ted Kotcheff’s 1982 movie.
“Even the most cynical satire is half in love with the object of its barbs; there is a part of every constrained creative that loves their shackles and will make great play of rattling them.”
“Robert Butler’s ‘Night of the Juggler’ isn’t the best New York City film ever made, but it might be the best cinematic representation of the location.”
‘Friday the 13th Part 2’ Cast: A Vague Visages guide for every actor and character in Steve Miner’s 1981 movie.
‘Friday the 13th’ Soundtrack: A Vague Visages guide for every song in Sean S. Cunningham’s 1980 movie.
‘A Nightmare on Elm Street’ Soundtrack: A Vague Visages guide for every song in Wes Craven’s 1984 movie.
‘A Nightmare on Elm Street’ Cast: A Vague Visages guide for every actor and character in Wes Craven’s 1984 movie.
‘Friday the 13th’ Cast: A Vague Visages guide for every actor and character in Sean S. Cunningham’s 1980 movie.
‘Aliens’ Cast: A Vague Visages guide for every actor and character in James Cameron’s 1986 movie.
“Overall, ‘The Legend of Mad Max’ offers an in-depth discussion of the franchise’s memorable elements and provides a new perspective that will enrich re-watchings.”
“Gish speaks confidently and passionately about acting in Sanders’ American Masters documentary, but perhaps the most intriguing moments emerge when she discusses her love for film preservation…”
“In a lot of ways, ‘Moonlighting’ now seems like a 1990s premium cable show that happened to run on a traditional broadcast network. It carried itself as if it was smarter and wilder and more interesting than anything else on television.”
“‘Strangler vs. Strangler’ is somewhere between the avant-garde and the absurd: a perfect description of Belgrade itself.”
“‘Amsterdamned’ can’t decide if it wants to embrace those who interact with the city or kill them, and this contradiction is part of the film’s slimy, schlocky charm.”