Of Love and Other Demons: Sam Peckinpah and Sex – ‘The Getaway’
“Of all Sam Peckinpah’s films, the violence in ‘The Getaway’ often strikes me as the most senseless.”
“Of all Sam Peckinpah’s films, the violence in ‘The Getaway’ often strikes me as the most senseless.”
“Cable Hogue ogles and desires Hildy because she appeals to him sexually: there are no shades of grey here, no self-reflection. In the world of Peckinpah, sex is often just sex.”
“Throughout ‘Opening Night,’ reality and make-believe are interwoven into a mass of chaos.”
“Youth is central to ‘Violette,’ and Isabelle Huppert’s petite frame and almost childlike features lend the film a skewed point of view that is colored neither by experience or shame.”