DIFF 2017 Review: Peter Bratt’s ‘Dolores’
“In a time such as ours, ‘Dolores’ delivers a vision of community organization and social flourishment that can usher in a new reality for America’s masses.”
Las Palmas Film Festival Opens with ‘Katie Says Goodbye’
“Roberts believes in the subtle force of his nice-as-pie protagonist, and he is right: Katie’s light outshines the blue Arizona sky.”
True/False 2017 Review: Fan Jian’s ‘Still Tomorrow’
“No matter which storyline is in play, the best thing about ‘Still Tomorrow’ is its subject.”
True/False 2017 Review: Yance Ford’s ‘Strong Island’
“‘Strong Island’ is a vulnerable, affecting documentary that illustrates what systemic racism looks like on a personal level.”
True/False 2017 Review: Kitty Green’s ‘Casting JonBenet’
“The editing is where the story of Casting JonBenet is truly built.”
True/False 2017 Review: Theo Anthony’s ‘Rat Film’
“‘Rat Film’ doesn’t spell out its conclusions, instead allowing the viewer to come to their own upon seeing the images and stories it presents.”