Why Criticism: Interview with Josh Spiegel, Co-Host of ‘Mousterpiece Cinema Podcast’
A Column on Film Criticism by Justine A. Smith
Justine Peres Smith
Justine Smith (@redroomrantings) lives and writes in Montreal, Quebec. She has a bachelor’s degree in Film Studies and a passionate hunger for all kinds of cinema. Along with writing for Vague Visages, she has written for Vice Canada, Cleo: A Feminist Journal and Little White Lies Magazine.
Of Love and Other Demons: ‘The Portrait of a Lady’ (Jane Campion, 1996)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
The Conversation: Introduction and Mike Nichols’ ‘The Graduate’
A conversation on cinema between film critics Drew Morton, Landon Palmer and Justine A. Smith.
Of Love and Other Demons: ‘Sweetie’ (Jane Campion, 1989)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Writing about Acting and Performance in 2016
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘In the Cut’ (Jane Campion, 2003)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Setting Up a Podcast with Francisco Peres
A Column on Film Criticism by Justine A. Smith
Vague Visages on Agnès Varda’s 88th: ‘La Pointe Courte’
“How unusual to see a woman’s perspective on love presented so plainly as Varda does in ‘La Pointe Courte.'”
Of Love and Other Demons: ‘Too Late Blues’ (John Cassavetes, 1961)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: When Podcasts Reign and 5 Essentials
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Husbands’ (John Cassavetes, 1970)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Writing Prompts and Fiction
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Opening Night’ (John Cassavetes, 1977)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: The Deception of Plain Style
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Love Streams’ (John Cassavetes, 1984)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Andrew Sarris vs. Pauline Kael
A Column on Film Criticism by Justine A. Smith
Stranger With My Face Festival 2016: ‘Evolution’ and ‘The Love Witch’
“Horror and femininity run hand in hand.”
Why Criticism: In Defence of the Personal
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘In a Year with 13 Moons’ (R.W. Fassbinder, 1978)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism?
A Column on Film Criticism by Justine A. Smith