Why Criticism: The Inexpressible ‘House of Psychotic Women’ by Kier-La Janisse
A Column on Film Criticism by Justine A. Smith
Justine Peres Smith
Justine Smith (@redroomrantings) lives and writes in Montreal, Quebec. She has a bachelor’s degree in Film Studies and a passionate hunger for all kinds of cinema. Along with writing for Vague Visages, she has written for Vice Canada, Cleo: A Feminist Journal and Little White Lies Magazine.
Of Love and Other Demons: ‘Tokyo Tribe’ (Sion Sono, 2014)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: James Agee – From Critic to Filmmaker
A Column on Film Criticism by Justine A. Smith
Talk Dirty to Me: A History of Eroticism in Four Short Films
“In full metamorphosis and reinvigorated by a new voice and direction, there could be no better program to sell that cinema in Montreal is sexy again.”
Of Love and Other Demons: ‘Why Don’t You Play in Hell?’ (Sion Sono, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: James Agee’s Vision of the American Cinema
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Top of the Lake’ (Jane Campion & Garth Davis, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: James Agee’s Voice
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘An Angel at My Table’ (Jane Campion, 1990)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Interview with Josh Spiegel, Co-Host of ‘Mousterpiece Cinema Podcast’
A Column on Film Criticism by Justine A. Smith