Sundance London Review: Daniel Scheinert’s ‘The Death of Dick Long’
“Scheinert uses each twist to burrow further into the impulses and regrets of two strong silent types.”
“Scheinert uses each twist to burrow further into the impulses and regrets of two strong silent types.”
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor