“‘Marcia, Marcia, Marcia’ exposes the intersection between the powerful forms of marginalization which shape the O.J. trial, as well as, more broadly, contemporary American life.”
“It’s hard to tell from the show what exactly Alexander and Karaszewski believe about Simpson’s guilt, but that doesn’t keep them from being any less interested in him as a human being.”
“As tempting as it’d be to focus solely on the sexism in the trial, ‘Marcia, Marcia, Marcia’ ultimately works best as an episode due to its unwillingness to forget about race.”
“Amidst the personal turmoil, the racial context of American Crime Story comes through even stronger in “The Run of His Life,” building on the insinuation of the Rodney King opening of the premiere.”