‘Gauguin’ and ‘Guernica’: Alain Resnais Comes Unstuck
“If ‘Gauguin’ and ‘Guernica’ shine a light on their respective subjects, they also present a key part of Resnais’ own development as an artist.”
A Light of Pure Gold: The Ideal of the Painter in Old Hollywood’s Waning Days
“The filmmaker continues to dream of the painter’s Arcadia, however illusory it may be.”
Why Criticism: James Agee – From Critic to Filmmaker
A Column on Film Criticism by Justine A. Smith