The Cold Light of Day: On Agnès Varda’s ‘Le Bonheur’
“Nothing in ‘Le Bonheur’ produces lasting unhappiness, and to approach it in a spirit of contemplation, rather than one of judgment, may allow the movie its most favorable terms of engagement.”
“Nothing in ‘Le Bonheur’ produces lasting unhappiness, and to approach it in a spirit of contemplation, rather than one of judgment, may allow the movie its most favorable terms of engagement.”
“Happiness for someone, then, is only achievable at the expense of someone else’s full experience?”