Review: Hirokazu Kore-eda’s ‘The Truth’
“‘The Truth’ is best viewed as a watered down (but often quite enjoyable) riff on many of Assayas’ recurrent thematic obsessions.”
“‘The Truth’ is best viewed as a watered down (but often quite enjoyable) riff on many of Assayas’ recurrent thematic obsessions.”
“Kore-eda has the caring, loving eyes of a father who cannot help but follow all his children walking hand in hand towards the horizon.”
“Anchored by a deeply sympathetic performance from Aparicio, ‘Roma’ is an empathetic, sentimental, stirring delight.”