On Growing Up, First Love and Learning in ‘An Education’ and ‘Call Me by Your Name’
A Comparative Essay by Ellie Steiner
On Ruben Östlund’s Dystopian Realities: ‘Force Majeure’ and ‘The Square’
“Painfully ironic, aggressive and humorously on point, Östlund’s films are timely cinematic pieces that put their characters’ moral compasses at stake.”