Interview with ‘1232 KMS’ Director Vinod Kapri
Dipankar Sarkar Interviews ‘1232 KMS’ Director Vinod Kapri
Dipankar Sarkar Interviews ‘1232 KMS’ Director Vinod Kapri
“‘Hazaaron Khwaishein Aisi’ bears the unmistakable stamp of an artist at the very apogee of his creative prowess.”
Dipankar Sarkar Interviews ‘Koozhangal’ Filmmaker P.S. Vinothraj
“What comes to the fore in ‘Labour of Love’ is the difference between hearing and listening.”
VVoices #1: Film Critics Discuss Auteur Theory
Dipankar Sarkar Interviews ‘Criminal Justice: Behind Closed Doors’ Screenwriter Apurva Asrani
Dipankar Sarkar Interviews ‘Chronicle of Space’ Filmmaker Akshay Indikar
Dipankar Sarkar Interviews ‘Kaali Khuhi’ Director Terrie Samundra
Dipankar Sarkar Interviews ‘Scam 1992’ Filmmaker Hansal Mehta
“Despite being mired in controversy, ‘Bandit Queen’ is one of the finest films made in India that pushes the envelope of cinematic excellence.”
Dipankar Sarkar Interviews ‘Dolly Kitty & Those Twinkling Stars’ Filmmaker Alankrita Shrivastava
Dipankar Sarkar Interviews ‘Class of ’83’ Director Atul Sabharwal
Dipankar Sarkar Interviews ‘Raat Akeli Hai’ Screenwriter Smita Singh
Dipankar Sarkar Interviews ‘Tales from Our Childhood’ Director Mukul Haloi
Dipankar Sarkar Interviews ‘Eeb Allay Ooo!’ Director Prateek Vats
Dipankar Sarkar Interviews ‘Nasir’ Writer-Director Arun Karthick
“The 74-minute film fails to elicit any emotional depth and feels as if it’s going nowhere in no particular hurry. Even the cast’s controlled and consummate performances are unable to rescue the climax’s sustained mood.”
“Widow of Silence’s characters communicate little because the core of human existence is on the verge of death. It’s the humanization of the unfamiliar that makes the characters feel so exceptionally real, and viewers will likely see parts of themselves on screen.”
“Das’ direction examines one’s reluctance to imagine the future in any detail during childhood. She highlights the transformative power of nature, the way it allows one’s true self to shine through and thus inspires the pursuit of hidden passions.”
“Despite being a well-intentioned art house film, ‘Soni’ somehow fails to create an impressionistic effect and often feels cliched. But what’s commendable is the character treatment by the debutant director, Ayr.”