Edinburgh Film Festival Review: Devashish Makhija’s ‘Joram’
“‘Joram’ is effectively a new version of ‘The Fugitive’ (and a rather good one at that).”
The Striking Punch of Subversion: Devashish Makhija’s ‘Ajji’
“‘Ajji’ successfully imparts the notion that it’s compulsory for victims to retaliate against extreme injustice by transforming into wolves.”