More Than Shadows #2: On the Noir Legacy of Ida Lupino
“Ida Lupino may have thought of herself as a poor man’s Don Siegel as a director and Bette Davis as an actress, but I think that’s far from true.”
Two Drink Minimum: Bo Burnham’s ‘Make Happy’ (Netflix)
“When the red, white and blue lights go off, one can begin to understand that Burnham hasn’t put together a comedy special, but a deconstructive stage play of epic proportions.”
Of Love and Other Demons: ‘Sweetie’ (Jane Campion, 1989)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘In the Cut’ (Jane Campion, 2003)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Too Late Blues’ (John Cassavetes, 1961)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Writing Prompts and Fiction
A Column on Film Criticism by Justine A. Smith
The Feminine Grotesque #4: Madness, Thy Name Is Eve
A Series by Angelica Jade Bastién
Of Love and Other Demons: ‘Agnes of God’ (Norman Jewison, 1985)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith