The Unforgiving Concrete: Lodge Kerrigan’s Cinema of Estrangement
“In Lodge Kerrigan’s first three features, he asks audiences to consider those left in the wake of his central characters…”
Lodge Kerrigan’s ‘Clean, Shaven’ and the Cinematic Virtue of Empathy
“‘Clean, Shaven’ depicts a culture in which there is little empathy for the mentally ill, perhaps because it is a culture influenced by fictional portrayals in which people like Peter are predominately unfeeling mad killers.”