At the Cinémathèque: Is ‘Kamouraska’ Better Than ‘Mon oncle Antoine’?
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise
“In the forbidden, Oshima reveals the fear of our own meaninglessness and our inability to face death as a certainty.”
“A deeply affecting and personal vision, it’s an essential entry in the history of eroticism in Canadian cinema.”
“As formally challenging as ‘The Pillow Book’ may be, it romantically creates a love affair unbound by its physical limits, connecting it to past and present through art and literature.”
“In full metamorphosis and reinvigorated by a new voice and direction, there could be no better program to sell that cinema in Montreal is sexy again.”