The Inescapable Magic of Bi Gan’s ‘Long Day’s Journey Into Night’
“In a way, the premise is just the antechamber that one has to see before entering the main room.”
Growing Pains: Asian Cinema and the Coming-of-Age Film
“The success of ‘The Crossing’ and ‘The Third Wife’ should speak to the unique ability of female filmmakers and female characters in filling in the narrative gaps in Vietnamese and Chinese cinema, in which male directors wield dominant creative control.”
DIFF 2017 Review: Wong Chun’s ‘Mad World’
“Its megaphone messaging is lost in the noise of its own desperation.”