‘Halloween II’: Rob Zombie’s Mad Opus on Trauma and the Tendrils of Toxic Familial Ties
“It is the rare film where form and content align at a time when its creator is close to formal mastery and itching for singular experimentation.”
“It is the rare film where form and content align at a time when its creator is close to formal mastery and itching for singular experimentation.”
A Column by Dylan Moses Griffin