“If the cinema was responsible for so many happy childhood memories, how could I continue to embrace reminiscing when it was equally responsible for the soul-crushing tedium of a public-facing retail job?”
Alistair Ryder Interviews South African Filmmaker Oliver Hermanus About ‘Moffie’
“Stories of older women emotionally manipulating younger acquaintances remain commonplace, but Nebbou’s film manages to find something genuinely human beneath tired hagsploitation tropes.”
“‘The Lawyer’ doesn’t fully grapple with its weighty white saviour theme, and ends up becoming as simplified as what it was setting out to subvert.”
“‘The Truth’ is best viewed as a watered down (but often quite enjoyable) riff on many of Assayas’ recurrent thematic obsessions.”
“By experiencing Almodóvar’s films as the product of a man whose view of the world is deeply affected by a variety of nagging medical concerns, only a few late period works thoroughly scratch under the surface of his psyche.”
“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
