The Unforgiving Concrete: Lodge Kerrigan’s Cinema of Estrangement
“In Lodge Kerrigan’s first three features, he asks audiences to consider those left in the wake of his central characters…”
The Perennial Schmuck: Elaine May’s Disappointing Men
“May was banished at a time when male auteurs were granted an unprecedented amount of latitude. She was treated as a liability rather than a maverick, and it’s difficult not to read that assessment as gendered.”