The Unforgiving Concrete: Lodge Kerrigan’s Cinema of Estrangement
“In Lodge Kerrigan’s first three features, he asks audiences to consider those left in the wake of his central characters…”
New Targets: Assassins at the End of History
“The 90s variant of the hitman archetype became entangled in the disorientation of the time, prone to the same neurotic preoccupations as the cultural cadres warring around them…”