Narcissus’ Pink Mirror: On Fantasy and Queer Desire
“Fantasy exists to create a place of greater safety, a rejection of the real world in favour of one that allows for an open, unapologetic queerness.”
Rogue Cops, Rogue Cars: The Films of Philip D’Antoni
“Just like his protagonists, D’Antoni refused to play by the rules, and he got results.”
At the Cinémathèque: Is ‘Kamouraska’ Better Than ‘Mon oncle Antoine’?
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise