Of Love and Other Demons: ‘L’inconnu du lac’ (Alain Guiraudie, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Vague Visages Column on Love and Erotica in Cinema by Justine Peres Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“A fever dream of marital discontent, Charlie McDowell’s ‘The One I Love’ tackles a failing marriage with sci-fi panache.”
“Why can’t Leia be into gold bikinis or even that fantasy of submission?”
“An incredible failure, ‘The Rose Tattoo’ has value in understanding the confines of the production code and the importance of good direction.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“‘Gilda’Â is one of the great examples of onscreen masochism.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“‘Blood for Dracula’ is confusing thematically, but I think that’s part of the point. As pulpy as it is, Morrissey’s film strongly confronts and challenges our ideas of purity and gender.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith