Why Criticism: The Simple Joys of Food and Film
A Column on Film Criticism by Justine A. Smith
Why Criticism: Éric Rohmer’s ‘Louis Lumière’ (1968) or Dinner Among Friends
A Column on Film Criticism by Justine A. Smith
Why Criticism: Horror’s Fight for Respect
A Column on Film Criticism by Justine A. Smith
Why Criticism: Defining New Cinema at FNC 2016
“In search of new worlds and experiences, this year’s FNC has been a journey from the physical world to the metaphysical.”
Why Criticism: The Tale of the Festival Film
A Column on Film Criticism by Justine A. Smith
Why Criticism: Writing About What You Don’t Know
A Column on Film Criticism by Justine A. Smith
Why Criticism: Umberto Eco and ‘The Infinity of Lists’
A Column on Film Criticism by Justine A. Smith
Why Criticism: Queer Film Classics and ‘Forbidden Love’
A Column on Film Criticism by Justine A. Smith
Why Criticism: Joan Didion, John Wayne and Personal Brands
A Column on Film Criticism by Justine A. Smith
Why Criticism: Mark Cousins’ 50 Week Film Course
A Column on Film Criticism by Justine A. Smith
Why Criticism: Richard Dyer’s ‘White’ and Writing About Race
A Column on Film Criticism by Justine A. Smith
Why Criticism: Thom Andersen and the Critic as a Worker
A Weekly Column on Film Criticism by Justine A. Smith
Why Criticism: We Need to Talk About Short Films
A Column on Film Criticism by Justine A. Smith
Why Criticism: So, You’re Covering a Film Festival?
A Column on Film Criticism by Justine A. Smith
Why Criticism: Bechdel and Comics as Film Criticism
A Column on Film Criticism by Justine A. Smith (@redroomrantings)
Why Criticism: Jean Epstein and Photogénie
A Column on Film Criticism by Justine A. Smith
Why Criticism: The Inexpressible ‘House of Psychotic Women’ by Kier-La Janisse
A Column on Film Criticism by Justine A. Smith
Why Criticism: James Agee – From Critic to Filmmaker
A Column on Film Criticism by Justine A. Smith
Why Criticism: James Agee’s Vision of the American Cinema
A Column on Film Criticism by Justine A. Smith
Why Criticism: James Agee’s Voice
A Column on Film Criticism by Justine A. Smith