Once Upon a Time in Tarantinoland: ‘Death Proof’ Is a Fun Grindhouse Detour But a Lesser Tarantino Film
“‘Death Proof’ is too singularly grindhouse, but it works as a fun, trashy flick, and a cool female empowerment story.”
John Brhel
Once Upon a Time in Tarantinoland: ‘Kill Bill’ Is a Visually Explosive Love Letter to Cinema
“All in all, ‘the 4th film by Quentin Tarantino’ is a wild, eclectic action movie with visual flair, great performances and personality up the wazoo.”
Ridley Scott’s ‘Alien’ Is a 40-Year-Old Elevated Horror Masterpiece
“If ‘Alien’ came out today, it’d likely be hailed as some sort of genius elevated horror/prestige sci-fi movie. It’s an engrossing, pulse-pounding thriller with brains and a unique and stunning visual style. Forty years later, ‘Alien’ remains one of the best sci-fi AND horror films of all time.”
Once Upon a Time in Tarantinoland: ‘Jackie Brown’ Is a Subtle Outlier in Quentin Tarantino’s Oeuvre
“While ‘Jackie Brown’ does revel in nostalgia and feature its fair share of firearms, it’s a much more subdued, nuanced and mature film than any of Tarantino’s previous works, or any other production within his entire filmography.’
‘Tolkien’ Is a Competent Yet Clichéd Biopic About ‘The Lord of the Rings’ Creator
“Those seeking some deep-dive exploration into Tolkien and his process will likely get more out of a standard biography or documentary. As it stands, ‘Tolkien’ is a merely adequate celebration of the author and the power of art.”
Once Upon a Time in Tarantinoland: ‘Pulp Fiction’ Is a Rule-Breaking, Pop Culture-Obsessed Good Time
“As a whole, ‘Pulp Fiction’ hinges on the audience’s awareness of tropes, and it offers something new by subverting expectations.”
Once Upon a Time in Tarantinoland: ‘Reservoir Dogs’ Is an Inventive, Whip-Smart Calling Card
Welcome to John Brhel’s “Once Upon a Time In Tarantinoland” — a look back at all eight of Quentin Tarantino’s feature films. First up: ‘Reservoir Dogs.’
‘Happy Death Day 2U’ Drops the Scares, Doubles Down on Sci-Fi
“‘Happy Death Day 2U’ is a light sci-fi movie with the thinnest veneer of horror, and your enjoyment of the film will depend on your willingness to accept its geeky premise and nonexistent scare factor.”
Dan Gilroy’s ‘Velvet Buzzsaw’ Doesn’t Work as a Thriller or Satire
“‘Velvet Buzzsaw’ is nicer to look at than a urinal signed ‘R. Mutt,’ but like Duchamp’s ‘Fountain,’ I won’t be rushing to see it again anytime soon.”
‘Glass’ Is a Superhero Movie for People Who Like Analyzing Superhero Movies
“Where DC trades in grim realism and Marvel does the whole snarky, joke-a-minute thing, the Shyamalanverse is a flavor all its own, a world where superheroes exist, but they don’t wear capes and their lives are usually pretty awful.”