Recap: The Leftovers ‘Off Ramp’ (Who Wants a Hug?)
“On The Leftovers, returning to your old self isn’t as easy as going from Point A to Point B, it’s a constant struggle and effort.”
Dylan Moses Griffin
Dylan Moses Griffin has been a cinephile for as long as he can remember. His favorite film is Taxi Driver, and he reads the works of Roger Ebert like it’s scripture. If you want, he will talk to you for 30 minutes about the chronologically weird/amazing Fast and Furious franchise.
We Failed This Film: Jorma Taccone’s ‘MacGruber’
A Column by Dylan Moses Griffin
Recap: The Leftovers ‘Axis Mundi’ and ‘A Matter of Geography’
“Damon Lindelof and company don’t need to give answers if they’re asking the right questions.”
His Blazing Automatics: The Unrelenting Horror of David Robert Mitchell’s ‘It Follows’
A Column by Dylan Moses Griffin
We Failed This Film: Ryan Gosling’s ‘Lost River’
A Column by Dylan Moses Griffin
His Blazing Automatics: Ramin Bahrani’s ‘Chop Shop’ and the New Americana Film Movement
A Column by Dylan Moses Griffin
We Failed This Film: Scott Cooper’s ‘Out of the Furnace’
A Series by Dylan Moses Griffin
Not Fall Apart: The New York Mets and September Collapses
“Someone pull Don Draper off his office couch, it’s time to meet the Mets.”
His Blazing Automatics: The Theme Park Ride Exhilaration of Marcus Dunstan’s ‘The Collector’ and ‘The Collection’
A Column by Dylan Moses Griffin
Dog Days of September: The American League Belongs to the Underdogs
Dylan Moses Griffin on Small Ball Strategies
His Blazing Automatics: You and Me and the Devil Makes Three – The Religious Allegory of Craig Zobel’s ‘Z for Zachariah’
A Weekly Column by Dylan Moses Griffin
We Failed This Film: Matt Reeves’ ‘Let Me In’
A Series by Dylan Moses Griffin
His Blazing Automatics: The Communicative Filmmaking of Cornel Wilde’s ‘The Naked Prey’
A Column by Dylan Moses Griffin
We Failed This Film: Walter Hill’s ‘Streets of Fire’
A Series by Dylan Moses Griffin
We Failed This Film: Christopher McQuarrie’s ‘The Way of the Gun’
A Series by Dylan Moses Griffin
His Blazing Automatics: How One Scene in ‘Mission: Impossible – Rogue Nation’ Defines the Strengths of Christopher McQuarrie
A Column by Dylan Moses Griffin
We Failed This Film: Joe Carnahan’s ‘The Grey’
A Series by Dylan Moses Griffin
His Blazing Automatics: What the Release Date Push for Jeff Nichols’ ‘Midnight Special’ Means
A Column by Dylan Moses Griffin
We Failed This Film: Lana and Andy Wachowski’s ‘Speed Racer’
A Series by Dylan Moses Griffin
His Blazing Automatics: The Cinematic Connection of Chan-wook Park’s ‘Oldboy’ and Kihachi Okamoto’s ‘The Sword of Doom’
A Column by Dylan Moses Griffin