“Lang’s film becomes a committed act of social justice advocacy, raging against its enforced limitation, and striving to break the formal apparatus that could often be employed to constrain Classic Hollywood cinema.”
“Mortensen uses his body to display his characters’ essential tensions, as they ride the line between truth and lies, loyalty and betrayal, chaos and control.”
“The real strength of ‘Inferno’ is the dominant sense of terror that Argento creates through his mastery of physical space (shaded by bright reds and blues, contrastive images of grandeur and decay in the production design)…”