The Feminine Grotesque #8: Kingdom of Rot – On ‘Queen of Earth’
A Series by Angelica Jade Bastién
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His Blazing Automatics: Does ‘Hardcore Henry’ Revolutionize the Cinematic Action Hero?
A Column on Action Films by Dylan Moses Griffin
Of Love and Other Demons: ‘The Bitter Tears of Petra von Kant’ (R.W. Fassbinder, 1972)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Review: Gabriel Mascaro’s ‘Neon Bull’
“Humans and beasts share a primal bond as they occupy the land and the frame together. Mascaro thus internationalizes a strain of the French cinéma du corps as he weds it with the emerging art-house aesthetic of digital realism, crossing borders and species to create something extraordinary.”
Review: Marc Abraham’s ‘I Saw the Light’
“Abraham tells a tragic story but fails to shine a light on the genesis of Hank the man.”
When Magic Was Real: Jean Cocteau’s ‘Beauty and the Beast’
“Cocteau’s magical realism, with flight and cursed beasts side-by-side with the economic woes of an importer-exporter, gives his fantastic elements gravity while letting the humanist tale of greed lilt like music.”
