Memory and Style: The Threads of a Collective Experience in Marcel Ophuls’ ‘The Sorrow and the Pity’
“‘The Sorrow and the Pity’ is surgical and functional, yet unquestionably a reflection of the imagination of an artist.”
“‘The Sorrow and the Pity’ is surgical and functional, yet unquestionably a reflection of the imagination of an artist.”
“The virility of the unwanted foreigner is a typical focal point for the average xenophobe.”
“‘The Magic Christian’ cries out to be re-visited. For all the cultural specificity of the novel and film, Grand remains a strikingly modern figure.”