“The representation of women in Film Noir is murky territory — in some ways progressive, in other ways deeply misogynistic — certainly when assessing Phyllis in ‘Double Indemnity.'”
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“Lewton’s insights into both childhood and adult inner personal conflicts are legacies which deserve recognition in the foundational history of horror, both for psychological thrillers and fantasy films.”
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“The film has an unusually conservative vibe for a noir, maintaining that the status quo may be boring but criminality has nothing to offer — not even carnal thrills.”
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