‘Different from the Others’: The Oldest Gay Movie in Restored 35mm
“History, in the form of motion picture entertainment, continues to surprise.”
Krzysztof Kieślowski’s ‘Dekalog’: Putting Faith in the Everyday
Jeremy Carr on Krzysztof Kieślowski’s ‘Dekalog’
The Importance of Babak Anvari’s ‘Under the Shadow’
“Anvari proves himself capable of creating a film with style, substance and importance.”
Chilean Cinema 2015: We Are What We Are by Jaime Grijalba
Chilean writer Jaime Grijalba ranks the 2015 theatrical releases of his country.
Review: Jafar Panahi’s ‘Taxi’
“A cry against governmental indifference and a cruel restriction from a chosen means of expression, Taxi is a unique work of art that defies boundaries and convention.”
BFI Southbank’s Jean-Luc Godard Retrospective: Highlights from Anna Karina’s ‘Bande à part’ Q&A
BFI Southbank: Anna Karina on Jean-Luc Godard and “Bande à part”
The Dueling Cavalier: Truth and Cinéma Vérité in ‘Serial’ and ‘Making a Murderer’
“In forgoing vérité techniques, Ricciardi and Demos make their show more compelling as entertainment and less convincing as a thorough and honest investigation of a criminal case.”