Framing the Breakdown: Visual Psychosis in Lucrecia Martel’s ‘The Headless Woman’
“Martel’s film is an absolute masterpiece in visual symbolism and deserves to be seen on that basis alone.”
“Martel’s film is an absolute masterpiece in visual symbolism and deserves to be seen on that basis alone.”
“Ethereal with an eye roll, Bagg seems to have materialized from a Zach Braff vision board. Her voice is soothing, a tossed-off Julie Andrews.”
“Tropes and archetypes are global, fitting into different national contexts while carrying with them the memory of their international itineraries.”
“No longer tasked with putting the missing pieces of action, intrigue and effects together in our heads, the artifice of Bond is gone forever — and with it, any room for playful interpretation.”
Marshall Shaffer Interviews Iconic Indie Cinematographer Fred Elmes