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EST. 2014 • @VagueVisages • qvh@vaguevisages.com • #JoinTheVVConvo at Our NEW Facebook Group: Vague Visages: The Convo

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Album Review: Melkbelly ‘Nothing Valley’

London Film Festival Review: Léonor Serraille’s ‘Jeune femme’

London Film Festival Review: Rungano Nyoni’s ‘I Am Not a Witch’

London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’

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“Hardy’s performative instincts attract him to characters who are in some way limited. In Locke, that limitation is physical, as the character’s mobility is constrained. The car that confines him becomes a centrally contradictory metaphor; in theory, Locke can drive wherever he wants. He can drift the wheel to the right, and take the next exit. But, his sense of responsibility, his desire not to become his father, pushes him on. The road presents boundless choices, but Hardy’s Locke is still bound by one choice. He is theoretically free. But that freedom has limits.” - Brian Brems • Why I Wear the Mask: Tom Hardy’s Performances of Limitation #VagueVisages

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NEW at Vague Visages • New York Film Festival Review: Paul Schrader’s ‘First Reformed’ by Devika Girish • #VagueVisages

NEW at Vague Visages • CIFF After Dark Review: Oliver Kienle’s ‘Four Hands’ by Jae Renfrow • #VagueVisages

NEW at Vague Visages • CIFF After Dark Review: Giddens Ko’s ‘Mon Mon Mon Monsters’ by Jae Renfrow • #VagueVisages

“‘Loveless’ is both a howl and a whimper for the older generations to protect the youth from dark cultural pasts that still bubble under the surface and threaten to erupt at any given moment. Much like ‘Leviathan,’ the film is oppressively bleak. The cinematography is dark, the drama darker and the tone and emotions yet darker still, but Zvyagintsev has crafted one of the most powerful films at this year’s festival.” - Benedict Seal / London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’ #VagueVisages

Vague Visages Short Stories: Bleeding and Breathing Deeply by Q.V. Hough #VagueVisages #VagueVisagesShortStories

NEW at Vague Visages • Devious Dialogues: Mike Thorn and A.M. Novak on the ‘Child’s Play’ Franchise #VagueVisages

NEW at Vague Visages • Review: Kazik Radwanski’s ‘Scaffold’ by Jutta Brendemuhl • #VagueVisages

“Behind the mask, lurking within the timbre of the vocal choices, buried beneath the shaped physique, there is truth.” - Brian Brems • Why I Wear the Mask: Tom Hardy’s Performances of Limitation #VagueVisages

“‘Angels Wear White’ presents a victory defined by survival and a drive to gain autonomy in a culture that so desperately wants to silence and abuse women and children.” - Benedict Seal • London Film Festival Review: Vivian Qu’s ‘Angels Wear White’ #VagueVisages #LFF17

NEW at Vague Visages • Why I Wear the Mask: Tom Hardy’s Performances of Limitation by Brian Brems • #TomHardy • #VagueVisages

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Now Streaming on @netflix: Noah Baumbach’s ‘The Meyerowitz Stories’ • Review by Benedict Seal at #VagueVisages

NEW at Vague Visages • Album Review: Melkbelly ‘Nothing Valley’ • Leslie Hatton • #VagueVisages

NEW at Vague Visages • London Film Festival Review: Léonor Serraille’s ‘Jeune femme’ • Benedict Seal • #LFF17 • #VagueVisages

NEW at Vague Visages • London Film Festival Review: Rungano Nyoni’s ‘I Am Not a Witch’ • Becky Kukla • #LFF17 • #VagueVisages

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