Advertisements

Menu

Vague Visages Forum
Vague Visages Chat
Chat Transcripts
- The Bottom Line (Action)
Vague Visages Short Stories
Book Reviews
Vague Visages Is FilmStruck
Devious Dialogues
Music
Interviews
Film Festivals
About Vague Visages
About Q.V. Hough
Write for Vague Visages

Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • Fargo, North Dakota • qvh@vaguevisages.com

Search for...

It’s Real to Me: On Gia Coppola’s Understanding of the Teenage Experience in ‘Palo Alto’

The Limits of Freedom in Makoto Shinkai’s ‘Your Name’

Sheffield Doc/Fest Review: Toby Paton’s ‘Jo Cox: Death of an MP’

Sheffield Doc/Fest Review: Josh Homme and Andreas Neumann’s ‘American Valhalla’

Social Media Connect

View VagueVisages’s profile on Facebook
View VagueVisages’s profile on Twitter
View VagueVisages’s profile on Instagram

Translate Vague Visages Content

Vague Visages Archives

Vague Visages Archives

Vague Visages on Facebook

Vague Visages on Facebook

Popular Now

Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
When the Male Gaze Breaks: Between ‘The Neon Demon’ and ‘Black Swan’
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
Netflix from 5 to 6: Daniel Barber’s 'The Keeping Room'
Album Review: INVSN ‘The Beautiful Stories’
Tribeca Film Festival Review: Zefrey Throwell and Josephine Decker's 'Flames'
There's Something Inside You: Nicolas Winding Refn's 'Drive'
Review: Pema Tseden's 'Tharlo'
Sheffield Doc/Fest Review: Josh Homme and Andreas Neumann's 'American Valhalla'
Made Like Welles: Denzel Washington's 'Fences'

Vague Visages on Instagram

NEW at Vague Visages / Vague Visages Is #FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’ #VagueVisages

NEW at Vague Visages / Netflix from 5 to 6: Daniel Barber’s ‘The Keeping Room’ by Q.V. Hough #VagueVisages

New Column Alert! Tomorrow, Q.V. Hough begins 'Netflix from 5 to 6,' an exploration of under the radar films. #VagueVisages

Tomorrow Night: Vague Visages' Q.V. Hough, Jeremy Carr, Bill Arceneaux and Peter Bell will chat about the 2005 film 'V for Vendetta.' The transcript will be online Monday AM. #VagueVisages #TheBottomLine

NEW at Vague Visages / There’s Something Inside You: Nicolas Winding Refn’s ‘Drive’ by Peter Bell #VagueVisages

Tomorrow on Vague Visages 📽

Now Streaming on Amazon Prime: Jim Jarmusch’s ‘Paterson’ / Review by Phuong Le at Vague Visages 📽#VagueVisages

NEW at Vague Visages / Devious Dialogues: A.M. Novak and Mike Thorn on @theexorcistfox #VagueVisages

NEW at Vague Visages / Review by Erica Peplin: Albert Maysles’ ‘In Transit’ #VagueVisages

NEW at Vague Visages / Album Review by Leslie Hatton: INVSN ‘The Beautiful Stories’ #VagueVisages

Happy Birthday 📽

NEW at Vague Visages / It’s Real to Me: On Gia Coppola’s Understanding of the Teenage Experience in ‘Palo Alto’ by Justin Micallef #VagueVisages

NEW at Vague Visages / The Limits of Freedom in Makoto Shinkai’s ‘Your Name’ by Anthony Dominguez #VagueVisages

"According to Wiazemsky, Marie’s passivity dooms her from the start. The same could be said of her economic and civil status, which in this time and this place assigns social conditions seldom surpassed. As she is put through the emotional and physical wringer, her increasing sense of being a mere object stamped with a wavering worth is mirrored by the similarly maturing path of Balthazar, the film’s tragic donkey namesake." - Jeremy Carr / The Style, Sins and Sympathies of Robert Bresson’s ‘Au hasard Balthazar’ #VagueVisages

📽#VagueVisages

"Drunk or sober, she is an entertainer, comfortable center stage, breaking into an impromptu song with improvised insults and antagonistic insinuations, or holding court on illicit nocturnal sidewalks. She reacts in hearty cackles and redolent demonstrations, and she is utterly shameless, a captivating combination of arrogance and obliviousness." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’ #VagueVisages

NEW at Vague Visages / Sheffield Doc/Fest Review by Katie Driscoll: Toby Paton’s ‘Jo Cox: Death of an MP’ #VagueVisages

“Refn provides a movie with universal appeal, displaying how pathetic and desperate human beings can be in their moments of weakness, insecurity and greed.” - Peter Bell / The Bewitching Terror of Nicolas Winding Refn’s ‘The Neon Demon’ #VagueVisages

“In ‘Golden Exits,’ the miserable find company in the spaces they inhabit. Nothing is shared; nothing is collective.” - Colin Stacy / Oak Cliff Film Festival Review: Alex Ross Perry’s ‘Golden Exits’ #VagueVisages

“Can hearing something be scarier than seeing something?” - Jake Pitre / The Aural Horrors of Dario Argento’s ‘Suspiria’ #VagueVisages

Recent Comments

	Carey Mulligan on Review: Thomas Vinterberg…
	Devious Dialogues: A… on Devious Dialogues: Mike Thorn…
	Fingernail Letters:… on ‘Twin Peaks’ and B…
	Benedict Seal on Cannes Film Festival Review: T…
	May News Bits 1: Dal… on ‘Stardust Memories…

Follow Vague Visages via Email

Enter your email address to follow Vague Visages and receive notifications of new posts by email.

Email Address

Site Registration

[peepso_register]

Advertisements

Share this:

Tweet
Email
Share on Tumblr

Like this:

Like Loading...

Vague Visages on Twitter

Top categories: Featured Comedy

Powered by WordPress.com.

Send to Email Address Your Name Your Email Address

Cancel

Post was not sent - check your email addresses!

Email check failed, please try again

Sorry, your blog cannot share posts by email.

%d bloggers like this: