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Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • Fargo, North Dakota • qvh@vaguevisages.com

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Instant Cult Classic: Gary Michael Schultz’s ‘Vincent N Roxxy’

The Cold Light of Day: On Agnès Varda’s ‘Le Bonheur’

A Light of Pure Gold: The Ideal of the Painter in Old Hollywood’s Waning Days

Sheer Heart Attack: Edgar Wright’s ‘Baby Driver’

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Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
Vague Visages Is FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’
Uncovering the Mysteries of Andrei Tarkovsky's 'Stalker'
Review: David Lowery's 'A Ghost Story'
Review: Esteban Crespo’s ‘Amar’
Once Upon a Time... Victor Erice
A Trip to the Sensory Deprivation Tank: Comparing 'Fringe' and 'Stranger Things'
'Take Me': Director-Actor Pat Healy and Editor Brian Scofield on Comedic Kinks and Cinematic Hijinks
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
'Beyond the Lights' and 'Into the Forest': Nina Simone as a Tool for Female Empowerment

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NEW at Vague Visages / Review by Q.V. Hough: Esteban Crespo’s ‘Amar’ #VagueVisages

"His filmography is framed nostalgia. It’s a journey to the past and an ode to the imagination." - Inês Lebreaud / Once Upon a Time… Victor Erice #VagueVisages

📽 (Via @stanleykubrick Twitter)

"There is such earnesty in Coppola’s direction that Teddy feels noble. He loves April almost like a chivalrous knight of storybooks, without pretense or condition. Coppola, instead of attaching a sort of cynical warning to teenage romance, lets it live and blossom between lit cigarettes and awkward displays of affection. She understands how real it feels and chooses to not rob that emotion with the insight of seniority." - Justin Micallef / It’s Real to Me: On Gia Coppola’s Understanding of the Teenage Experience in ‘Palo Alto’ #VagueVisages

NEW at Vague Visages / Vague Visages Is #FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’ #VagueVisages

NEW at Vague Visages / Uncovering the Mysteries of Andrei Tarkovsky’s ‘Stalker’ by Max Covill #VagueVisages

NEW at Vague Visages / Once Upon a Time… Victor Erice by Inês Lebreaud #VagueVisages

What a career! #RIP

"On a superficial level — and it is a level that’s important to a superficial movie — 'Le Bonheur' parades a classic nature versus nurture tension, but the film itself is best appreciated as an illustration of said tension’s dissolution, in which sense it fleshes out a new form of suspense." - Mónica Belevan / The Cold Light of Day: On Agnès Varda’s ‘Le Bonheur’ #VagueVisages

RIP 📽

"Visual art’s major figures are not introspective observers, but often outlandish, shamelessly self-promoting antagonists." - D.M. Palmer / A Light of Pure Gold: The Ideal of the Painter in Old Hollywood’s Waning Days #VagueVisages

"Dunst’s roles from 1998 to 2002 illustrate her need to conform to studio standards of femininity, balanced with her own personal desire to stretch her wings as a performer. The work personified Dunst as the girl next door (to her detriment in the lead-up to a big role), while giving audiences an underestimated actress eager to challenge the patriarchal views of how women could be presented in movies." - Kristen Lopez / My Summer of Dunst: Volume 2 #VagueVisages

"The filmmaker continues to dream of the painter’s Arcadia, however illusory it may be." - D.M. Palmer / A Light of Pure Gold: The Ideal of the Painter in Old Hollywood’s Waning Days #VagueVisages

NEW at Vague Visages / My Summer of Dunst: Volume 2 by Kristen Lopez #VagueVisages

NEW at Vague Visages / Album Review by Leslie Hatton: Male Gaze ‘Miss Taken’ #VagueVisages

NEW at Vague Visages / Instant Cult Classic: Gary Michael Schultz’s ‘Vincent N Roxxy’ by Q.V. Hough #VagueVisages

NEW at Vague Visages / The Cold Light of Day: On Agnès Varda's ‘Le Bonheur’ by Mónica Belevan #VagueVisages

"The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’ #VagueVisages

📽#VagueVisages

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