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Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • Fargo, North Dakota • qvh@vaguevisages.com

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Cannes Film Festival Review: Laurent Cantet’s ‘The Workshop’

Cannes Film Festival Review: Kiyoshi Kurosawa’s ‘Before We Vanish’

Cannes Film Festival Review: Kaouther Ben Hania’s ‘Beauty and the Dogs’

Cannes Film Festival Review: Agnès Varda and JR’s ‘Visages, villages’

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Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
Vague Visages Forum
Interview with Eleanor Coppola, Director of 'Paris Can Wait'
Vague Visages Chat
Cannes Film Festival Review: Agnès Varda and JR's 'Visages, villages'
'Take Me': Director-Actor Pat Healy and Editor Brian Scofield on Comedic Kinks and Cinematic Hijinks
Kiss Me Deadly: Sex and Gender in 'Liquid Sky'
Cannes Film Festival Review: Noah Baumbach's 'The Meyerowitz Stories'
Cannes Film Festival Review: Sofia Coppola's 'The Beguiled'
Cannes Film Festival Review: Kaouther Ben Hania's 'Beauty and the Dogs'

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"In Casino’s Vegas, civility comes with trade. No one cares who you were, as long as each person gets their cut (even Ace’s family lives and dies by the Vegas hustle)." - Peter Goldberg / Losses Made in Heaven: Martin Scorsese’s ‘The Wolf of Wall Street’ and ‘Casino’ #VagueVisages

“Epic in scope and theme, the subject of ‘Destiny’ is most heart-rending in its moments of intimacy.” - Jeremy Carr / Love and Death: The Romantic Sorrow of Fritz Lang’s ‘Destiny’ #VagueVisages

"Vulnerable, sensitive, aggressive, assertive: these are the words Ray acquaintance John Houseman uses to describe his filmmaker friend, and these are all traits that define Dixon Steele, a quintessential Ray protagonist through whom the director explores a troubled personality motivated by unceasing insolence. 'In a Lonely Place' also allows for Ray to examine the paranoia of one who lives at a purposeful distance." - Jeremy Carr / The Uneasy Allegiances of Nicholas Ray’s ‘In a Lonely Place’ #VagueVisages

"As a support system for her filmmaking family, Eleanor Coppola’s life experiences prepared her to make 'Paris Can Wait.' And at the same time, nothing prepared her, as she described in a brief chat on a local press tour stop to promote the film’s release." - Marshall Shaffer / Interview with Eleanor Coppola, Director of ‘Paris Can Wait’ #VagueVisages

"There are few surprises in Noah Baumbach’s New York-set family dramedy, 'The Meyerowitz Stories,' one of two Netflix Originals up for the Palme d’Or this year. The one major exception? Adam Sandler." - Benedict Seal / Cannes Film Festival Review: Noah Baumbach’s ‘The Meyerowitz Stories’ #VagueVisages #Cannes70

"It’s not all doom and gloom at this year’s Cannes Film Festival." - Benedict Seal / Cannes Film Festival Review: Agnès Varda and JR’s ‘Visages, villages’ #VagueVisages #Cannes70

“Some movies are so good that when they’re over, you almost expect the whole film industry to shut down.” - Erica Peplin / Terrence Malick’s ‘Badlands’ Is a Great American Love Story #VagueVisages

NEW at Vague Visages / Interview with Eleanor Coppola, Director of ‘Paris Can Wait’ by Marshall Shaffer #VagueVisages 📽

NEW at Vague Visages / Album Review by Leslie Hatton: Animal Youth ‘Animal’ #VagueVisages

NEW at Vague Visages / ‘Take Me’: Director-Actor Pat Healy and Editor Brian Scofield on Comedic Kinks and Cinematic Hijinks by Demi Kampakis #VagueVisages

NEW at Vague Visages / Cannes Film Festival Review by Benedict Seal: Noah Baumbach’s ‘The Meyerowitz Stories’ #VagueVisages #Cannes70

"Like the film itself, like Melville’s direction, Delon’s Costello embodies well-honed proficiency." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on Jean-Pierre Melville’s ‘Le Samouraï’ #VagueVisages

"Taking a 'We Need to Talk About Kevin' framework and updating it for modern French society, 'The Workshop' doesn’t compare with Lynne Ramsey’s masterful forebear, but Laurent Cantet’s film approaches a volatile teen with thoughtful, three-dimensional consideration." - Benedict Seal / Cannes Film Festival Review: Laurent Cantet’s ‘The Workshop’ #VagueVisages #Cannes70

“‘The Beguiled’ plays out exactly as one might expect and never really stretches beyond its contained premise.” - Benedict Seal / Cannes Film Festival Review: Sofia Coppola’s ‘The Beguiled’ #VagueVisages #Cannes70

NEW at Vague Visages / Cannes Film Festival Review by Benedict Seal: Sofia Coppola’s ‘The Beguiled’ #VagueVisages #Cannes70

"Truffaut liked outsiders, those individuals on the margins of society, but he preferred them to be solitary figures, not belonging to a gang or clique. In a sense, he gets it both ways with this 1960 underworld riff." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on François Truffaut’s ‘Shoot the Piano Player’ #VagueVisages

"Like 'Visages, villages' and 'Claire’s Camera,' 'The Workshop' continues a Cannes 2017 trend for the unmatched power of creation and artistic expression, and this film reaches to darker depths than those tales. Here, literature can help to process acts of terror." - Benedict Seal / Cannes Film Festival Review: Laurent Cantet’s ‘The Workshop’ #VagueVisages #Cannes70

"As with a dream, Lynch is perched in a space where everything is plainly intuited, though with one allowance to the willful demand for verbal explication — the need to understand — meaning crumbles under the arbitrarily assigned consonance." - Niles Schwartz / ‘Twin Peaks’ and Beyond the Alphabet #VagueVisages

"There are no words. There’s horror, confusion, pain, love, longing, wind, music, light and color." - Niles Schwartz / ‘Twin Peaks’ and Beyond the Alphabet #VagueVisages

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