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Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • @VagueVisages • qvh@vaguevisages.com

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TIFF 2017 Review: Govinda Van Maele’s ‘Gutland’

Andy Muschietti’s ‘It’ Struggles with Adaptation

TIFF 2017 Review: Alexander Payne’s ‘Downsizing’

TIFF 2017 Review: Michael Haneke’s ‘Happy End’

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Ty Segall Goes Acoustic at Toronto's Night Owl Festival
Review: Esteban Crespo’s ‘Amar’
Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
TIFF 2017 Review: Govinda Van Maele's 'Gutland'
IFFR 2017 Review: Marcelo Caetano's 'Corpo Elétrico'
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TIFF 2017 Review: Lucrecia Martel's 'Zama'
Album Review: Male Gaze ‘Miss Taken’
Album Review: INVSN ‘The Beautiful Stories’
TIFF 2017 Review (Wavelengths): Lucien Castaing-Taylor and Verena Paravel's 'Caniba'

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NEW at Vague Visages / Ty Segall Goes Acoustic at Toronto’s Night Owl Festival by Less Lee Moore #VagueVisages

NEW at Vague Visages / TIFF 2017 Capsule Reviews by Marshall Shaffer: ‘Dark River,’ ‘Jeannette: The Childhood of Joan of Arc,’ ‘Alanis,’ ‘Beast,’ ‘Occidental’ #VagueVisages #TIFF17

"Though set well into Richard Nixon’s regressive 70s, Billie Jean King’s triumphant tennis match in Jonathan Dayton and Valerie Faris’ 'Battle of the Sexes' takes place firmly on the court of Kennedy’s 60s. As one group simply asks for equality, another reacts with fear and insecurity. That the duel against Steve Carell’s unrepentant misogynist Bobby Riggs resonates as strongly as it does illustrates just how much we’re still on that same ground." - Marshall Shaffer / Dead Kennedys at TIFF 2017: The Rise of a New Zeitgeist #VagueVisages #TIFF17

‪PITCHES: qvh@vaguevisages.com #VagueVisages #WaveFaces #Independent ‬

"I felt crushed by its descent into the grotesqueries of existence. I felt challenged to endure something so terrifying, so relentlessly destabilizing. I felt fear. It’s an overwhelming hour of filmmaking, already uncontroversially heralded as the most experimental episode of television in history. Which it may be. Chances are, it’ll stay that way." - Jake Pitre / The Return of ‘Twin Peaks’ and the Pleasures of a Myopic Anomaly #VagueVisages

RIP, Harry Dean Stanton 📽

PITCHES: qvh@vaguevisages.com #VagueVisages

NEW at Vague Visages / Dead Kennedys at TIFF 2017: The Rise of a New Zeitgeist by Marshall Shaffer #VagueVisages #TIFF17

NEW at Vague Visages / TIFF 2017 Review: Lucrecia Martel’s ‘Zama’ by Dan Schindel #VagueVisages #TIFF17

NEW at Vague Visages / TIFF 2017 Review by Marshall Shaffer: Guillermo del Toro’s ‘The Shape of Water’ #VagueVisages #TIFF17

NEW at Vague Visages / TIFF 2017 Review (Wavelengths) by Marshall Shaffer: Lucien Castaing-Taylor and Verena Paravel’s ‘Caniba’ #VagueVisages #TIFF17

NEW at Vague Visages / TIFF 2017 Review by Jutta Brendemuhl: Govinda Van Maele’s ‘Gutland’ #VagueVisages #TIFF17

NEW at Vague Visages / Andy Muschietti’s ‘It’ Struggles with Adaptation by Mike Thorn #VagueVisages

NEW at Vague Visages / TIFF 2017 Review by Dan Schindel: Alexander Payne’s ‘Downsizing’ #VagueVisages #TIFF17

NEW at Vague Visages / TIFF 2017 Review by Dan Schindel: Michael Haneke’s ‘Happy End’ #VagueVisages

NEW at Vague Visages / TIFF 2017 Review (Wavelengths) by Marshall Shaffer: Denis Côté’s ‘A Skin So Soft’ #VagueVisages #TIFF2017

NEW at Vague Visages / The Return of ‘Twin Peaks’ and the Pleasures of a Myopic Anomaly by Jake Pitre #VagueVisages

NEW at Vague Visages / The Woman and the Puppet: On Abel Ferrara’s ‘New Rose Hotel’ by James Slaymaker #VagueVisages

NEW at Vague Visages / Photo Essay: ‘Campaign Trail 2016 / Bill Clinton in Fargo’ by Q.V. Hough #VagueVisages

"Truffaut liked outsiders, those individuals on the margins of society, but he preferred them to be solitary figures, not belonging to a gang or clique. In a sense, he gets it both ways with this 1960 underworld riff." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on François Truffaut’s ‘Shoot the Piano Player’ #VagueVisages

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