We Failed This Film: Lana and Andy Wachowski’s ‘Speed Racer’
A Series by Dylan Moses Griffin
A Series by Dylan Moses Griffin
“I like failure because it’s spiritualizing. We think we know what will make us happy, but we’re usually wrong. Failure forces us to rethink our salvational strategies.”
Vague Visages Short Stories #12: Mr. Mucata’s Final Requests by Mike Thorn (Calgary, Alberta)
“Like a modern-day Machiavelli, his amoral world-view doesn’t see the ethical shades of his actions, only the gains and losses they might occur.”
“I contend that not only has Nolan grown as an auteur, but that he has perfectly captured a universal truth to which all may relate and celebrate.”
“I’ll even go so far as to say that the sequel is just as satisfying as the original, in my eyes.”
We Failed This Film is a series about various films that simply didn’t get the love that they deserved upon initial release.
Mike and Anya submitted this draft on August 25, 2017 — one day before Tobe Hooper passed away at age 74.
“According to Jacobs, romantic love is a negative equation wherein passion plus time equals complacency.”
Devious Dialogues: A Horror-Themed Column by Mike Thorn and A.M. Novak
“‘I Am Not Madame Bovary’ brilliantly executes its high-concept, formal experimentation perfectly. In doing so, it embodies a vision that harmonizes the theoretical with the actual.”
Mike Thorn and A.M. Novak discuss the ‘Halloween’ franchise.
“‘Fear and Desire’ is more than just a curio for the Kubrick completist. It is indeed a genuinely revealing work.”
A Column on Film Criticism by Justine A. Smith
A Column on Film Criticism by Justine A. Smith
“‘Little Sister’ has a uniformly strong cast, but Addison Timlin gives one of those star-making turns that, if the universe is at all just, will be but the first prominent stepping stone for an extraordinary career.”
A Column on Film Criticism by Justine A. Smith
“Bateman brings the full force of his directorial ability to the film, finding beauty in every camera placement and character movement.”
“It’s a touching depiction of a bond between sisters, but it doesn’t really create such a bond with viewers.”
A Column on Film Criticism by Justine A. Smith