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EST. 2014 • @VagueVisages • qvh@vaguevisages.com • #JoinTheVVConvo at Our NEW Facebook Group: Vague Visages: The Convo

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Album Review: Melkbelly ‘Nothing Valley’

London Film Festival Review: Léonor Serraille’s ‘Jeune femme’

London Film Festival Review: Rungano Nyoni’s ‘I Am Not a Witch’

London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’

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Review: Esteban Crespo’s ‘Amar’
Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
New York Film Festival Review: Paul Schrader's 'First Reformed'
Why I Wear the Mask: Tom Hardy’s Performances of Limitation
CIFF After Dark Review: Giddens Ko's 'Mon Mon Mon Monsters'
CIFF After Dark Review: Oliver Kienle’s ‘Four Hands’
Devious Dialogues: Mike Thorn and A.M. Novak on the 'Child's Play' Franchise
Why Criticism: Sarris vs. Kael
A Trip to the Sensory Deprivation Tank: Comparing 'Fringe' and 'Stranger Things'
'The Bling Ring,' Recontextualized in Post-Election America

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November Pitches: qvh@vaguevisages.com #VagueVisages 📽

NEW at Vague Visages • New York Film Festival Review: Paul Schrader’s ‘First Reformed’ by Devika Girish • #VagueVisages

NEW at Vague Visages • CIFF After Dark Review: Oliver Kienle’s ‘Four Hands’ by Jae Renfrow • #VagueVisages

NEW at Vague Visages • CIFF After Dark Review: Giddens Ko’s ‘Mon Mon Mon Monsters’ by Jae Renfrow • #VagueVisages

“‘Loveless’ is both a howl and a whimper for the older generations to protect the youth from dark cultural pasts that still bubble under the surface and threaten to erupt at any given moment. Much like ‘Leviathan,’ the film is oppressively bleak. The cinematography is dark, the drama darker and the tone and emotions yet darker still, but Zvyagintsev has crafted one of the most powerful films at this year’s festival.” - Benedict Seal / London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’ #VagueVisages

Vague Visages Short Stories: Bleeding and Breathing Deeply by Q.V. Hough #VagueVisages #VagueVisagesShortStories

NEW at Vague Visages • Devious Dialogues: Mike Thorn and A.M. Novak on the ‘Child’s Play’ Franchise #VagueVisages

NEW at Vague Visages • Review: Kazik Radwanski’s ‘Scaffold’ by Jutta Brendemuhl • #VagueVisages

“Behind the mask, lurking within the timbre of the vocal choices, buried beneath the shaped physique, there is truth.” - Brian Brems • Why I Wear the Mask: Tom Hardy’s Performances of Limitation #VagueVisages

“‘Angels Wear White’ presents a victory defined by survival and a drive to gain autonomy in a culture that so desperately wants to silence and abuse women and children.” - Benedict Seal • London Film Festival Review: Vivian Qu’s ‘Angels Wear White’ #VagueVisages #LFF17

NEW at Vague Visages • Why I Wear the Mask: Tom Hardy’s Performances of Limitation by Brian Brems • #TomHardy • #VagueVisages

PITCHES: qvh@vaguevisages.com
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Now Streaming on @netflix: Noah Baumbach’s ‘The Meyerowitz Stories’ • Review by Benedict Seal at #VagueVisages

NEW at Vague Visages • Album Review: Melkbelly ‘Nothing Valley’ • Leslie Hatton • #VagueVisages

NEW at Vague Visages • London Film Festival Review: Léonor Serraille’s ‘Jeune femme’ • Benedict Seal • #LFF17 • #VagueVisages

NEW at Vague Visages • London Film Festival Review: Rungano Nyoni’s ‘I Am Not a Witch’ • Becky Kukla • #LFF17 • #VagueVisages

‪Vague Visages Photo Essays • Pitches: qvh@vaguevisages.com • #VagueVisages 📷

NEW at Vague Visages • London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’ • Benedict Seal • #VagueVisages • #LFF17

“Characterized by precise choreography and close-ups, their restless movement reveals how romance isn’t just a matter of mental connection. It’s a literal movement of bodies in space, of two people continually figuring out the right way to fit together.” - Erica Peplin • The Anti-Romance of Agnés Varda’s ‘La Pointe Courte’ #VagueVisages

“Contrasting the linear narrative of ‘Il Posto,’ Olmi adopts dream imagery as a framing device once Giovanni reaches Sicily. His facial expressions don’t reflect fear or sadness, but rather a perpetual skepticism. He’s not an angry man, but he’s not a perfect man either.” - Q.V. Hough • Capitolo 20: Mi Fido Di Te / Ermanno Olmi’s ‘I fidanzati’ #VagueVisages

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