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Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • Fargo, North Dakota • qvh@vaguevisages.com

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It’s Real to Me: On Gia Coppola’s Understanding of the Teenage Experience in ‘Palo Alto’

The Limits of Freedom in Makoto Shinkai’s ‘Your Name’

Sheffield Doc/Fest Review: Toby Paton’s ‘Jo Cox: Death of an MP’

Sheffield Doc/Fest Review: Josh Homme and Andreas Neumann’s ‘American Valhalla’

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Not Your Trophy: Deer Imagery in Jordan Peele's 'Get Out'
When the Male Gaze Breaks: Between ‘The Neon Demon’ and ‘Black Swan’
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
Netflix from 5 to 6: Daniel Barber’s 'The Keeping Room'
Album Review: INVSN ‘The Beautiful Stories’
Tribeca Film Festival Review: Zefrey Throwell and Josephine Decker's 'Flames'
There's Something Inside You: Nicolas Winding Refn's 'Drive'
Review: Pema Tseden's 'Tharlo'
Sheffield Doc/Fest Review: Josh Homme and Andreas Neumann's 'American Valhalla'
Made Like Welles: Denzel Washington's 'Fences'

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NEW at Vague Visages / Vague Visages Is #FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’ #VagueVisages

NEW at Vague Visages / Netflix from 5 to 6: Daniel Barber’s ‘The Keeping Room’ by Q.V. Hough #VagueVisages

New Column Alert! Tomorrow, Q.V. Hough begins 'Netflix from 5 to 6,' an exploration of under the radar films. #VagueVisages

Tomorrow Night: Vague Visages' Q.V. Hough, Jeremy Carr, Bill Arceneaux and Peter Bell will chat about the 2005 film 'V for Vendetta.' The transcript will be online Monday AM. #VagueVisages #TheBottomLine

NEW at Vague Visages / There’s Something Inside You: Nicolas Winding Refn’s ‘Drive’ by Peter Bell #VagueVisages

Tomorrow on Vague Visages 📽

Now Streaming on Amazon Prime: Jim Jarmusch’s ‘Paterson’ / Review by Phuong Le at Vague Visages 📽#VagueVisages

NEW at Vague Visages / Devious Dialogues: A.M. Novak and Mike Thorn on @theexorcistfox #VagueVisages

NEW at Vague Visages / Review by Erica Peplin: Albert Maysles’ ‘In Transit’ #VagueVisages

NEW at Vague Visages / Album Review by Leslie Hatton: INVSN ‘The Beautiful Stories’ #VagueVisages

Happy Birthday 📽

NEW at Vague Visages / It’s Real to Me: On Gia Coppola’s Understanding of the Teenage Experience in ‘Palo Alto’ by Justin Micallef #VagueVisages

NEW at Vague Visages / The Limits of Freedom in Makoto Shinkai’s ‘Your Name’ by Anthony Dominguez #VagueVisages

"According to Wiazemsky, Marie’s passivity dooms her from the start. The same could be said of her economic and civil status, which in this time and this place assigns social conditions seldom surpassed. As she is put through the emotional and physical wringer, her increasing sense of being a mere object stamped with a wavering worth is mirrored by the similarly maturing path of Balthazar, the film’s tragic donkey namesake." - Jeremy Carr / The Style, Sins and Sympathies of Robert Bresson’s ‘Au hasard Balthazar’ #VagueVisages

📽#VagueVisages

"Drunk or sober, she is an entertainer, comfortable center stage, breaking into an impromptu song with improvised insults and antagonistic insinuations, or holding court on illicit nocturnal sidewalks. She reacts in hearty cackles and redolent demonstrations, and she is utterly shameless, a captivating combination of arrogance and obliviousness." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’ #VagueVisages

NEW at Vague Visages / Sheffield Doc/Fest Review by Katie Driscoll: Toby Paton’s ‘Jo Cox: Death of an MP’ #VagueVisages

“Refn provides a movie with universal appeal, displaying how pathetic and desperate human beings can be in their moments of weakness, insecurity and greed.” - Peter Bell / The Bewitching Terror of Nicolas Winding Refn’s ‘The Neon Demon’ #VagueVisages

“In ‘Golden Exits,’ the miserable find company in the spaces they inhabit. Nothing is shared; nothing is collective.” - Colin Stacy / Oak Cliff Film Festival Review: Alex Ross Perry’s ‘Golden Exits’ #VagueVisages

“Can hearing something be scarier than seeing something?” - Jake Pitre / The Aural Horrors of Dario Argento’s ‘Suspiria’ #VagueVisages

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