“Rebecca’s greatness stems from its faithful approach to the Gothic roots of du Maurier’s novel, foregrounding all of the most important themes like repression of the past and marriages full of conflict.”
“It’s easy to feel a sense of loss for the great actress and movie star that Paltrow could have become, had she not lost interest in the profession and shifted her attention to her questionable business empire.”
“Johnson brilliantly arranges and organizes the vignettes that account for her unique ‘living obituary.'”
“Whether it is economic, ethnic or geopolitical, ‘The Heavy Burden’ keeps finding new ways to frame the marginal life of its protagonists.”
“Zhao’s style is evocative but accepting.”
“Never weird for the sake of weird, July’s movies are perfectly prismatic, refracting facets of recognizable life experiences through the singularity and peculiarity of her vision.”
“Where Berkeley uses excess as a contrast to the real world, Verhoeven uses it as a magnifying glass.”
“Even though Seimetz’s ‘ideological contagion’ might have its roots in coping strategies for depression and a range of mental health issues, the director works wonders by imagining how one might react upon learning about their imminent death.”
“Unfortunately, Kriya’s script is the weakest link. Much of the dialogue sounds like it was lifted straight from a soap opera, and the film occasionally veers into melodrama, which isn’t particularly becoming for a folk horror film set almost entirely in a single location.”
“Although the events in ‘The Virgin Suicides’ may not be presented through an innately nostalgic lens, they become a binding source of nostalgia by viewing the film 20 years after its initial wide release.”
“Point of view and selfhood have assumed for Kaufman a place of great consequence from ‘Being John Malkovich’ to ‘Eternal Sunshine of the Spotless Mind’ to ‘Anomalisa,’ and ‘I’m Thinking of Ending Things’ is a remarkable extension.”
“‘Lapsis’ offers the intriguing and hopeful possibility that our technologically dependent future may not be so bad after all.”
“Even seen without the lens of current events, ‘Alone’ is a harrowing experience that earns its power by being uncomfortably credible.”
“It may seem strange to qualify Mertens’ audaciously original production as ‘horror’ when it has no gory set pieces, jump scares, monsters or special effects. Yet, despite a lack of these things, ‘Time of Moulting’ is very much a horror film.”
“‘Lucky’ is a rallying cry for women everywhere to fight back, to keep speaking up and to go it alone when all else fails.”
“‘Dinner in America’ is a special movie with a genuinely punk rock feel and a charmingly odd couple at its heart. There are enough laughs and swoon-worthy moments to mark it out as the best, and weirdest, rom-com in years.”
Dipankar Sarkar Interviews ‘Choked’ Screenwriter Nihit Brave
“Through a graceful use of Mozart’s music, ‘She Dies Tomorrow’ urges the audience to question their lives and unavoidable deaths.”
“The virility of the unwanted foreigner is a typical focal point for the average xenophobe.”
“‘Sputnik’ is a thoughtful, knotty sci-fi thriller that’s firmly character-driven and also boasts a horrifyingly beautiful creature.”
