“‘Crimes of the Future’ doesn’t offer the same opportunities of mid-2000s highlights like ‘A History of Violence’ and ‘Eastern Promises,’ but Mortensen balances the ridiculous and the sublime like few others.”
“Perhaps David Cronenberg is owed another kind of reputation: that of a humanist filmmaker who observes and questions, who understands our pain and sorrow as well as our ambitions both intellectual and libidinous.”
“Nomi of ‘Showgirls’ and Betty of ‘Mulholland Dr.’ seem to be communicating with each other across space and time, from entirely different films yet resolutely from within the same universe.”
“Okuno makes excellent use of text and subtext to explore a range of ideas that unmistakably double as commentary on the commonplace experiences of women everywhere.”
“‘Men,’ Garland’s latest, will draw the filmmaker’s faithful, but the modest environs, esoteric posture and open text most likely won’t translate to massive financial success.”
“A sense of unfulfilled longing characterizes ‘Mariner of the Mountains,’ and results in a film in which everything is tantalizingly incomplete, the way many lives are.”