Of Love and Other Demons: ‘L’inconnu du lac’ (Alain Guiraudie, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Agnes of God’ (Norman Jewison, 1985)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘The One I Love’ (Charlie McDowell, 2014)
“The characters play games, they play with toys — these tangents feel directionless but thematically resonate as a wandering need to reaffirm identity.”
Of Love and Other Demons: ‘Return of the Jedi’ and the Sexy Bikini
“Why can’t Leia be into gold bikinis or even that fantasy of submission?”
Of Love and Other Demons: ‘The Rose Tattoo’ (Daniel Mann, 1955)
“An incredible failure, The Rose Tattoo has value in understanding the confines of the production code and the importance of good direction.”
Of Love and Other Demons: Michael Rowe’s ‘Early Winter’ (2015)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Dead Ringers’ (David Cronenberg, 1988)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: The Toxic Masculinity of Michael Cimino’s ‘Year of the Dragon’
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
#Noirvember: Joseph H. Lewis’ ‘Gun Crazy’ and the Erotic Allure of Firearms
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
#Noirvember: Howard Hawks’ ‘The Big Sleep’ (1946) Neuters Marlowe’s Hatred
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith