“Change doesn’t always have to be monumental, and small films like Tu dors Nicole can still be great without high stakes.”
“The shell of Gemma Bovery makes it seem like there might be something weighty within, but it’s too empty an affair.”
“A plethora of heart-pounding footage (race and off-track) is at the heart and soul of Winning: The Racing Life of Paul Newman.”
“This Poltergeist is an efficient, amiably entertaining riff on an established thrill ride, but the film does little to spook long-term.”
“Crossing the boundaries of reality, Animals tackles drug abuse from an insider’s perspective by inviting the audience to share in an experience so uniquely alienating, it is impossible to fully comprehend.”
“A multiple award winner at the Director’s Fortnight sidebar of Cannes last year, Les combattants, the charming feature debut of director Thomas Cailley, finally arrives in North America under the name Love at First Fight, an unfortunate pun that does a disservice to a romantic comedy that’s much more interesting than its new title may suggest.”
“Apprehensively approaching its subject from a fresh, interesting angle, Time Lapse never quite fulfills the lofty goals it has for itself.”
A fresh, vibrant Western revival, Slow “West uses the tropes of the genre to its advantage, delivering a unique tale about searching for love in all the wrong places.”
“Surpassing expectations and delivering a heaping dose of electrifying visuals, Mad Max: Fury Road is what all blockbuster action movies should strive to be.”
“A film that deals more with heady emotional concepts than surviving a viral apocalypse, Maggie is the perfect actor’s showcase for a man long thought to have given up drama.”
