Simmering with sensuality, the second feature from NYC filmmaker Josephine Decker enraptures with vivid imagery while establishing a burning fire of abstract connotations. Advertisements Advertisements
The opening minutes of Celia Rico Clavellino’s Luisa Is Not Home, winner of MUBI’s Cannes Short Film Competition, reveal a couple living within the walls of routine.
The 11 enchanting minutes of Marina Shron’s Sea Child offer a glimpse into Colombia’s Laguna de Tota and the visceral impact it has upon a grieving adolescent. Narrated by Federica Cafferata’s Lila, she recounts the sentiments of her disenchanted father before “the lake took him back.” While Lila roams around the mountain […]
Q.V. Hough on Kristina Buožytė’s ‘Vanishing Waves’
There’s no business like “know” business.
Q.V. Hough reviews Peter Watkins’ 1971 film, “Punishment Park”
Q.V. Hough reviews Jean-Marc Vallée’s ‘Café de Flore.’
Q.V. Hough reviews David Ayer’s WWII drama, “Fury.”