“What saves ‘Pity,’ and the ‘Greek Weird Wave’ as a whole, from tipping into nihilism is the humanism at its core; it is the pessimism of thwarted hopes rather than the negative drive of cynicism.”
“‘Can You Ever Forgive Me?’ is simultaneously suspenseful and laidback.”
“Chriqui proves that she’s ready for the next phase in her career, whether it’s in westerns or thrillers. Take heed, Quentin Tarantino.”
“Over 71 neatly-distilled minutes, Schäublin emerges as an artist with a keen analytical eye and a knack for mischief hidden beneath layers of despondency and detachment.”
“Whether ‘All the Creatures Were Stirring’ becomes a festive must-watch remains to be seen, but there’s enough to enjoy for it to be a part of horror fans’ yearly rotation.”
“If ‘Flemish Heaven’ isn’t exactly positive about sex work, the flick at least isn’t negative either or, crucially, judgmental about the reasons a woman might decide to sleep with men for money. It’s still a step in the right direction for representation.”
“‘24 Weeks’ is a woman’s film through and through, from the focus on Astrid’s inner struggle to the often stomach-churning realities of pregnancy and motherhood.”
“His stories, and our fascination with the private lives of the rich and famous, aren’t going anywhere.”
“For many, McQueen’s stylishness will help excuse the rubbery plot holes, lapses in logic and farfetched surprises that might lead some to wonder how the movie might have unfolded as a leaner, tighter operation.”
“Patient blood aficianados who stick with the filmmaker to the final reel will most certainly receive their crimson reward.”
