“‘Sauvage’ emerges in the context of ‘BPM (Beats Per Minute)’ as a darker, grittier cousin. Both tell physically intimate stories, but where ‘BPM (Beats Per Minute)’ brims with romance, anger and sheer joy, ‘Sauvage’ has a harder edge and leaves more of a bitter taste.”
“‘Sophia Antipolis’ is not a movie that will be easily digested outside of movie theaters, as it goes mostly for an aesthetic experience rather than a plot-driven story.”
“Documentaries always warrant ethical questions about the narrative process, and Laboissière is impressively restrained with her direction.”
“‘Out of Sight, Out of Mind’ finds a solidly affecting balance of lightheartedness, satire and true, resonant emotion in its final 20 minutes…”
“‘Happy Death Day 2U’ is a light sci-fi movie with the thinnest veneer of horror, and your enjoyment of the film will depend on your willingness to accept its geeky premise and nonexistent scare factor.”
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
“Garver doesn’t really provide more than an overview, but perhaps that will indeed bring new eyes to some great American writing.”
“‘No Data Plan’ is a story for our times. More importantly, it’s a snapshot of a way of life that’s already become commonplace for untold numbers of people in the U.S. and worldwide.”
“‘The Souvenir’ is an infuriating but ultimately rewarding experience set to inspire deep criticism and analysis.”
“Waves are dark in Salatić’s sea, and the sound of a constant, unavoidable motor seems to be heard within every character.”
