“‘For Some Inexplicable Reason’ strains for authenticity but only registers as a compendium of conventions familiar to the tired subgenre of the post-collegiate dramedy.”
“What saves ‘Pity,’ and the ‘Greek Weird Wave’ as a whole, from tipping into nihilism is the humanism at its core; it is the pessimism of thwarted hopes rather than the negative drive of cynicism.”
“Over 71 neatly-distilled minutes, Schäublin emerges as an artist with a keen analytical eye and a knack for mischief hidden beneath layers of despondency and detachment.”
“Though the film may try to push its characters into a predetermined path of conflict and personal epiphany, more elusive forms of life can’t help but flood the frame and intrigue with effortless and unutterable tales of their own.”
“If ‘Flemish Heaven’ isn’t exactly positive about sex work, the flick at least isn’t negative either or, crucially, judgmental about the reasons a woman might decide to sleep with men for money. It’s still a step in the right direction for representation.”
“‘24 Weeks’ is a woman’s film through and through, from the focus on Astrid’s inner struggle to the often stomach-churning realities of pregnancy and motherhood.”
