“Pedro Almodóvar adores women, and he’s a champion of feminism. In no other film is the Spanish filmmaker’s reverence for the female gender more evident than in the 2006 drama ‘Volver.'”
Fedor Tot on Pedro Almodóvar’s Collaborations with Antonio Banderas
“One of the great pleasures of watching any Almodóvar film, but especially ‘Julieta,’ is studying its expressionistic textures…”
“What comes to the fore in ‘Labour of Love’ is the difference between hearing and listening.”
“DCA is a vital part of Scotland’s cultural landscape, and arguably a nucleation point for the city’s burgeoning renaissance.”
“Nearly 40 years after its release, ‘Koyaanisqatsi’ continues to send signals.”
Greg Carlson Reviews Rodney Ascher’s ‘A Glitch in the Matrix’
“While Suzuki’s overly-stylized and sometimes incomprehensible films ultimately led to his termination from Nikkatsu in 1968, his legacy safely lives on in modern day Japanese cinema…”
“‘Branded to Kill’ doesn’t flow, it staggers — it moves like a dying man, shot through the gut, bleeding out.”
Elle Haywood on Queer Cinema at the 2021 London Short Film Festival
