“The utter sadness of Little and Big Edie’s story is why ‘Grey Gardens’ is so moving — direct cinema allowed this story to be explored with a level of intimacy previously unavailable.”
Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”
“‘No Hard Feelings’ takes queerness as a given, capturing queer joy onscreen while never losing sight of the stark realities of migrants seeking refuge in a still highly xenophobic Europe.”
“‘Hazaaron Khwaishein Aisi’ bears the unmistakable stamp of an artist at the very apogee of his creative prowess.”
“Many of us may miss the drama of awards season, but there are untold benefits to criticism if it continues to evolve away from its current state.”
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
“For all the praise showered on Almodóvar’s later work, it lacks the wildness, freshness and exuberance of his 80s filmography, which often feels unfairly overlooked as a result.”
“Jane Austen’s stories are already more pointed and complex than many people give them credit for, but two 2016 film adaptations took that caustic tone to new heights…”
“By spoiling God’s servants with sex, drugs and doubt, films like Almodóvar’s ‘Dark Habits’ show that earnestly criticising the Catholic Church’s crimes is not the only way to weaken centuries of unchecked supremacy.”
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
