Horns Up for Penny Lane’s ‘Hail Satan?’
“As a movie experience, ‘Hail Satan?’ often lives deliciously.”
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Man on Fire: ‘White Heat’ and the Dynamic James Cagney
“Cagney’s sadistic lead in ‘White Heat,’ a searing 1949 crime drama from director Raoul Walsh, is something well past the norms of a conventional male protagonist — or antagonist, for that matter.”
A Divine Madness: Gregory La Cava’s ‘Gabriel Over the White House’
“There is little doubt that ‘Gabriel Over the White House’ was a test balloon of sorts, priming the audience for a discussion on the merits of the strongman leader, asking them what they would be willing to sacrifice in order to ameliorate the national plight.”
A Man with No Country: A Conversation with ‘Burning’ Star Steven Yeun
Iana Murray on Her London Film Festival Conversation with ‘Burning’ Star Steven Yeun
‘Finding Dory,’ Restoring Relationships and Finding a Way to View Mental Illness
“Sometimes, there’s a moment in your life when you’re experiencing something that perfectly intersects with a character on screen.”
Dan Gilroy’s ‘Velvet Buzzsaw’ Doesn’t Work as a Thriller or Satire
“‘Velvet Buzzsaw’ is nicer to look at than a urinal signed ‘R. Mutt,’ but like Duchamp’s ‘Fountain,’ I won’t be rushing to see it again anytime soon.”
Sandi Tan’s ‘Shirkers’ Is an Indie Filmmaking Dream Deferred
“How many movies have been lost or nearly lost to circumstances before a public release can provide closure for the anxious and expectant filmmaker?”
Out Among the Stars: Warren Beatty Reflects on Revolution in ‘Reds’
“Just as Reed’s real-life contemporaries reflect on the revolutionary ideals of their era in ‘Reds,’ Beatty bears witness to his own, staring down a massive canvas of his contemporaries’ successes and failures, the romance of their innovations and the exclusionary nature of their excess.”
Fight Like a Man: The ‘Rocky’ Series and Masculinity
“The ‘Rocky’ films have given us great heroes. Their protagonists are sweet and kind, courageous and indominable. They have given us so much to cheer for. But they’ve also grown out of an idea of masculinity that is deeply, meaningfully flawed.”
Hell Hath No Fury: How Women Dominated Horror in 2018
“The future of horror isn’t female, it’s the present. And it’s about bloody time.”